Argentina diaz lozano biography
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Argentina Díaz Lozano
Argentina Díaz Lozano (* 15. Dezember1912; † 13. August1999) war das Pseudonym der honduranischenSchriftstellerinArgentina Bueso Mejía. Sie war Journalistin und Romanautorin, die im romantischen Stil über feministische Themen schrieb. Für ihre Bücher erhielt sie zahlreiche Auszeichnungen, darunter den Goldenen Quetzel von Guatemala, den honduranischen Nationalen Literaturpreis Ramón Rosa und den Orden Cruzeiro do Sud von Brasilien. Sie wurde in die Academia Hondureña de la Lengua aufgenommen und ist die einzige mittelamerikanische Frau, deren Werk offiziell für den Literaturnobelpreis nominiert wurde.
Biografie
[Bearbeiten | Quelltext bearbeiten]Der Geburtstag von Argentina Bueso Mejía wird unterschiedlich mit 1909, 1910[1] und 1917 angegeben,[2] wird aber allgemein als 15. Dezember 1912 in Santa Rosa de Copan, Honduras, als Tochter des Geschäftsmanns Manuel Bueso Pineda und der Trinidad Mejía angenommen.[3][4][5] Zwischen 1925 und 1928 besuchte sie die Coligio María Auxiliadora in Tegucigalpa und schloss anschließend ihre Ausbildung an der Holy Name Academy in Tampa, Florida, ab. Im Jahr 1929 heiratete sie Porfirio Díaz Lozano[6] und nahm seine beiden Nachnamen als ihren literarisc
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Díaz Lozano, Argentina (1909–1999)
Argentina Díaz Lozano (b. 15 December 1909, d. 1999), Honduran novelist. Born in Santa Rosa de Copán, Honduras, Díaz Lozano moved to Guatemala, the setting for many of her novels, in 1912 and returned to live in Tegucigalpa shortly before her death in 1999. She studied at the University of San Carlos and became the school's first woman to graduate in journalism. A prolific writer (whose work has been translated into French and English), she published her first novel at age seventeen and has received many awards for both her fiction and her journalism, among them the National Prize for literature in Honduras (1968) and awards from Guatemala, Brazil, and Italy. In 1957 ex-president Juan José Arévalo nominated her for the Nobel Prize in literature.
Her fiction belongs to the regionalist school predating the "Boom" of the 1960s in Latin American letters. Her novels focus on local themes, often exposing the plight of the poor, especially the tragic circumstances of Guatemalan Indians. Nevertheless, she shows little willingness to explore underlying issues of race, gender, and politics which might threaten the status quo. Her portrayal of women and Indians, while compassionate, essentially reflects the romantic and patronizing perspectives o
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Díaz Lozano, Argentina (1912–1999)
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