Christopher plummer biography book

  • Seamlessly written, with laugh-out-loud stories, In Spite of Myself is an absorbing account of the fascinating, complex, exuberant adventure that has been.
  • A rollicking, rich portrait of a life.
  • A collection of delicious anecdotes of a life spent on stages and film sets across the world—from Peter Hall’s Royal Shakespeare Theatre to The Sound of Music—from one of our greatest opher.
  • In Spite of Myself: A Memoir

    September 4,
    A brilliant diamond with a hollow core – is how I must describe the man behind this memoir. Sadly, I came to this conclusion in spite of myself. His soul speaks loud and clear in his memoir – what vestige of it there may be, that is!

    One cannot discount his acting abilities. He now adds a good grasp of the English language to his repertoire for he writes beautifully, if not structurally. That, and his love of dogs, is all that I can find to recommend both the essence of the memoir and the man’s character. The rest, to my great shock and horror, depicts an empty shell of a man, who learnt nothing from his life except how to mark notches in his belt – names who hit the spotlight (hundreds of them); empty associations made in drunken stupors with males and females alike; pretty ladies who could ‘supposedly’ act or who looked delectable enough to eat, who tended to distract his prose long enough to digress; boys-will-be-boys late nights with bar-hopping and aimless amusements. Well, you get the picture … it goes on and on; more of the same until the end.

    Mr. Plummer latches on to those big names in a frenzied effort to identify himself and his achievements. The underlying insecurity is, however, what comes to the fore in all his ramblin

    Photo: Pix/Michael Ochs Archives/Getty Images

    When Christopher Plummer died on February 5, the world mourned him. Those who worked with him paid tribute to his warmth, his talent, and his Renaissance flexibility — director Des McAnuff (who was to direct him in a King Lear film after the pandemic abated) remembered him sketching little masterpieces in rehearsal; co-star Chris Evans recalled his piano improvisations on set. And for critics, the year-old was a fallen redwood. Matt Zoller Seitz wrote movingly about Plummer’s capacity for reinvention and collaboration onscreen, and Jesse Green recalled his forceful, graceful work onstage.

    But there was yet another string to Plummer’s bow: world-class dish. Although his gossipy autobiography In Spite of Myselfends in a rather quiet cul-de-sac, the rip-roaring center of the book details every variety of mayhem a gorgeous actor could get up to in the 20th century. In obituaries and reminiscences, writers tend to focus on Plummer’s swingin’ ’60s life — we remember him as Captain Von Trapp, so we like to contrast Georg’s martinet bearing with his louche real life, like falling down an elevator shaft while sauced. But Plummer’s autobiography emphasizes the way he also felt out of joint with his time. He saw everything thro

  • christopher plummer biography book
  • In Spite unmoving Myself

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