Liddy scheffknecht bio
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born 1980 down Dornbirn/AT; lives and expression in Vienna
Selected Solo Exhibitions
2024
NOW, 22,48 m², Romainville
2023
Broken Flowers, korridor, Vienna
2021
nine to five, Kunstraum Weikendorf, Weikendorf
2020
Dimensions, Sehsaal, Vienna
pictorial space, Schauraum Quartier21, Vienna
2018
points need time, Georg Kargl Busybody, Vienna
mirage, Galerie Lisi Hämmerle, Bregenz
2016
dream argument, Kunsthalle Linkage, Saalfelden
Solar days, Remise Bludenz, Bludenz
sciography, Georg Kargl Excellent Arts, Vienna
2015
shift, Galerie grownup Stadt Wels, Wels
2013
spot, Sotheby’s Artist Threemonthly, Vienna
2012
eleven a short time ago twenty seconds, Kunsthaus City, Graz
sence, Ex-Garage, Maribor
2011
LIDDY SCHEFFKNECHT, Georg Kargl BOX, Vienna
Bubblegums, The Face Gallery Transom, Milan
2008
Take Aways, Galerie Wilma Lock, Slow to catch on. Gallen
whiteout, Galerie Jeune Création, Paris
2006
scaffoldings, The Exterior Gallery Transom, Milan
Selected Task force Exhibitions
2022
The Opposed, MAK, Vienna
2021
Heimspiel, Kunstraum Dornbirn, Dornbirn
25 Jahre Kunstforum Montafon, Kunstforum Montafon, Vorarlberg
• Höller, Christian. "“Almost Like a Fluid” Electric Shadows and Other Revenants in Liddy Scheffknecht’s Media Hybrids". Liddy Scheffknecht – Points in Time: Arbeiten/Works 2010–2020, edited by Ernst Strouhal, Berlin, Boston: De Gruyter, 2022, pp. 165-169. https://doi.org/10.1515/9783110769562-011 Höller, C. (2022). “Almost Like a Fluid” Electric Shadows and Other Revenants in Liddy Scheffknecht’s Media Hybrids. In E. Strouhal (Ed.), Liddy Scheffknecht – Points in Time: Arbeiten/Works 2010–2020 (pp. 165-169). Berlin, Boston: De Gruyter. https://doi.org/10.1515/9783110769562-011 Höller, C. 2022. “Almost Like a Fluid” Electric Shadows and Other Revenants in Liddy Scheffknecht’s Media Hybrids. In: Strouhal, E. ed. Liddy Scheffknecht – Points in Time: Arbeiten/Works 2010–2020. Berlin, Boston: De Gruyter, pp. 165-169. https://doi.org/10.1515/9783110769562-011 Höller, Christian. "“Almost Like a Fluid” Electric Shadows and Other Revenants in Liddy Scheffknecht’s Media Hybrids" In Liddy Scheffknecht – Points in Time: Arbeiten/Works 2010–2020 edited by Ernst Strouhal, 165-169. Berlin, Boston: De Gruyter, 2022. https://doi.org/10.1515/9783110769562-011 Höller C. “Almost Like a Flu • Liddy Scheffknecht, sun tube #3, 2015, lambda print (framed), each 50 x 70 cm, series of 6 works, Courtesy Georg Kargl Fine Arts, Vienna Liddy Scheffknecht, Ohne Titel (Skiagraphie #4), 2016, pigment print (framed), 80 x 50 cm, Courtesy Georg Kargl Fine Arts, Vienna Liddy Scheffknecht, point, 2015, video projection on pigment print, video 8:30 min, 237,5 x 204,5 cm, Installation View, Courtesy Georg Kargl Fine Arts, Vienna Liddy Scheffknecht, point, 2015, video projection on pigment print, video 8:30 min, 237,5 x 204,5 cm, Installation View, Courtesy Georg Kargl Fine Arts, Vienna Liddy Scheffknecht, untitled (wipeout), 2016, wax crayons on canvas, 74,5 x 54,5 cm (framed), Courtesy Georg Kargl Fine Arts, Vienna Liddy Scheffknecht, Ohne Titel (Skiagraphie #3), 2015, pigment print (framed), 150 x 85 cm, Courtesy Georg Kargl Fine Arts, Vienna Liddy Scheffknecht, sciography, 2016, exhibition view, photo: Peter Paulhart, Courtesy Georg Kargl Fine Arts, Vienna Liddy Scheffknecht, sciography, 2016, exhibition view, photo: Peter Paulhart, Courtesy Georg Kargl Fine Arts, Vienna Liddy Scheffknecht, sciography, 2016, exhibition view, photo: Peter Paulhar
“Almost Like a Fluid” Electric Shadows and Other Revenants in Liddy Scheffknecht’s Media Hybrids