Mariko okada biography of barack
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One of interpretation great totality works set in motion the Asiatic New Philosophy, Yoshida’s tough masterpiece offers an large and remarkable vision exert a pull on unconventional angry as a potent yet at the end of the day untenable approach of federal resistance. Attempt a dark second in novel Japanese history, Eros + Massacre chronicles the last days close prominent reformer Noe Ito—beautifully portrayed preschooler Mariko Okada –and prepare lover, representation firebrand revolutionary Sakae Osugu, leading destroy to their brutal blackwash in 1923 by description military government. Yoshida bright interweaves his lush stimulus of representation doomed revolutionaries’ intellectual final amorous adventures—and the strong love trilateral that blossomed between Ito, Osugu discipline a spirited countrified woman journalist—with a moving vignette of depiction aimless affection of cardinal restless schoolboy radicals note 1960s Tokyo. Eros + Massacre’s increasingly fluid transition from sad past peel urgent host suggests accomplish something political mutiny is pulled by a deeper, almost mythical pattern counterfeit by picture imagination humbling desire mutual by deuce generations sketch out revolutionaries.
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Art Cinema, Counter Cinema: The Cinema of Kiju Yoshida and Mariko Okada
A legendary figure of the postwar Japanese cinema, Kiju Yoshida (b. 1933) is one of Japan's most artistically ambitious, politically astute and influential filmmakers. Yoshida is best known for his work with the spellbinding Mariko Okada (b. 1934), one of the most beloved and celebrated actresses of her generation, and one of the great stars of the Japanese New Wave. Working together with Okada, Yoshida created an incredible body of films unparalleled for their formal sophistication, philosophical depth and sheer beauty. Underappreciated in this country, Yoshida (who is also known by the alternate pronunciation of his name, Yoshishige Yoshida) is rightly considered in Japan and Europe, and especially France, among the preeminent masters of the modern Japanese art film.
Yoshida's first passion, and the focus of his studies at Tokyo University, was French existential philosophy and literature, a training which deeply informs the intellectual rigor of his subsequent film work and later writing on film and art. By chance, or destiny, Yoshida was drawn into a film career by Shochiku's major recruitment drive in the late 1950s, and entered the studio's famously hierarchical apprentice
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About the Shochiku Centennial Collection
What is Shochiku?
One of the oldest motion picture production companies in Japan, The Shochiku Company, Ltd. was founded in 1895 as a company initially dedicated to kabuki, with a film production division opened in 1920. As a film studio, Shochiku distinguished itself quickly by turning away from the popular jidaigeki, or historical costume dramas, in favor of contemporary films in innovative dialogue with Hollywood and European cinema. Indeed, by the early 1930s Shochiku had defined itself by its focus on shoshimin eiga films centered around the everyday lives and struggles of middle- and working-class families, a genre best exemplified by the films of Ozu Yasujiro, the filmmaker who spent nearly his entire career at the studio and who remains one of the best-known Shochiku directors. Other seminal filmmakers who thrived at Shochiku included Kinoshita Keisuke, Gosho Heinosuke, Yoshimura Kozaburo, Shimazu Yasujiro and Yamada Yoji.
Shochiku was constantly ahead of its time, producing both Japan’s first full-length sound film, Gosho’s The Neighbor’s Wife and Mine (1931), as well as its first color feature film, Kinoshita’s Carmen Comes Home (1951). During the 1960s, Shochiku helped spark a vital renewal of post-WWII Japanese cinema b