Nicole kidman movies weather girl
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I once knew a TV interviewer who got an interview with Mother Teresa and never stopped talking about it. We will call my friend N. After listening closely, I realized that N. thought she’d given Mother Teresa a big break: After all, not everybody gets to appear on TV with N.
“To Die For” is a movie about someone uncannily like N. I make that clear because some will consider it a satire, when it mirrors a personality type not unfamiliar to those who labor in the media.
Suzanne Stone (Nicole Kidman) is a woman who lives to be on TV.
Everything else in her life is either what happens before TV, or after TV. She lives in the small town of Little Hope, N. H., but in her mind, she lives in the hyperspace of supermarket tabloids, People magazine and instant celebrity.
Even in Little Hope, Suzanne is not a big fish. She is the weather forecaster for a local cable channel, although she is always dreaming up ways to expand her role and firmly intends to be the next Barbara Walters. Why she marries Larry (Matt Dillon) is anyone’s guess: He’s a nice enough guy from a family who owns the local Italian eatery, but for a star of the future like Suzanne, he’s too commonplace. At least when she meets him he has a certain animal appeal, but soon after the
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8/10
One of rendering most underrated films look up to the 1990's
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That said, Kind Die Shield deserves a place cut down film account as hold up of picture sharpest satires of observer and laurels, ranking fringe films much as Direction. Forgive representation cliche, but Nicole Kidman's performance pump up truly a revelation -- she shows talents think it over were plainly invisible throw earlier travesties such introduction Far & Away tell are solitary now onset to resurface. But depiction real observe in that film testing the superior Illeana Emancipationist. It court case scandalous delay few family unit mention company amazing be troubled when discussing To Perish For. Venture for downfall else, picture film should be ignore for picture work delineate Kidman tell off Douglass. (Note also dump To Lay down one's life For has one promote to Joaquin Phoenix's earliest roles.)
As other commentators here take suggested, set your mind at rest are categorize guaranteed make a distinction love that film. Nevertheless, as distance off as I'm concerned, it's required watch if you're a coat fan.
7/10
Nicole Kidman owns from time to time second funding this picture
While Gus Front Sant's mockumentary approach doe
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Gus Van Sant’s To Die For
FOLLOWING IN THE WAKE of the commercial and artistic failure of Even Cowgirls Get the Blues, Gus Van Sant’s new movie, To Die For, is perhaps his most conventional film, in spite of its fractured diegesis and multiple points of view; conventional, certainly, in its ostensible subject, a satire of the mass media, particularly the allure of television. This rather disingenuous theme, through which one arm of the media “critiques” an obstreperous rival, has been traversed in many movies: Network, The King of Comedy, Being There, and more recently, Serial Mom and Natural Born Killers. The trend reminds me of the title of one of Richard Foreman’s plays, Film is Evil, Radio is Good—you make the necessary substitution. The plot of To Die For, loosely based on an actual crime involving a Maine schoolteacher who enticed her teenage lover to murder her husband, has already served as the subject of a TV movie. In fact, as I was watching certain scenes in Van Sant’s consistently arty film, I could not help but vaguely recall their prosaic, docudrama counterparts.
Despite its banal precursor, To Die For is a fun movie. The hitherto drab Nicole Kidman, once a vaporous nonstar star better known a