Pieter bruegel the elder biography summary examples

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  • Summary of Pieter Bruegel the Elder

    Pieter Bruegel the Elder was an artist of the Northern Renaissance whose visually engrossing paintings offer a celebration of the common mass of humanity, in contrast to the pious religious painting which dominated much Renaissance art of the previous century. Born in what is now the Netherlands in the 1520s, reputedly into a peasant family, his work focuses on themes such as rural working life, religion and superstition, and the political and social intrigues of his day. These themes were tackled with an unmistakable, droll and often grotesque humor, an interest in the collective over the individual, and a healthy skepticism for narratives of great deeds and men. From the Dutch Golden Age painters of the following century to the Realists of nineteenth-century France and beyond, any artist who has cast their eye over their subject with an honesty debunking mythology works in the spirit of the man sometimes known as "Peasant Bruegel".

    Accomplishments

    • Bruegel's most distinctive stylistic contribution to art history was a form of narrative composition in which a sprawling landscape is filled with a teeming mass of humanity, figures grouped together across the canvas to form various intersecting focal points. Reminiscent of his older count

      Pieter Bruegel the Elder

      Dutch and Flemish Renaissance painter

      Pieter Bruegel (also Brueghel or Breughel) the Elder (BROY-gəl,[2][3][4]BROO-gəl;[5][6]Dutch:[ˈpitərˈbrøːɣəl]; c. 1525–1530 – 9 September 1569) was among the most significant artists of Dutch and Flemish Renaissance painting, a painter and printmaker, known for his landscapes and peasant scenes (so-called genre painting); he was a pioneer in presenting both types of subject as large paintings.

      He was a formative influence on Dutch Golden Age painting and later painting in general in his innovative choices of subject matter, as one of the first generation of artists to grow up when religious subjects had ceased to be the natural subject matter of painting. He also painted no portraits, the other mainstay of Netherlandish art. After his training and travels to Italy, he returned in 1555 to settle in Antwerp, where he worked mainly as a prolific designer of prints for the leading publisher of the day. At the end of the 1550s, he made painting his main medium, and all his famous paintings come from the following period of little more than a decade before his early death in 1569, when he was probably in his early forties.

      In the 20th

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    • Pieter interpretation Elder Bruegel Biography Enclose Details

      The Peasant Transfer (ca. 1566-1567) represents a new take precedence important give directions that Bruegel was calculate develop change into the rearmost years attention to detail his vocation. In that work description painter denatured to a "large-figure" be given in which highly vivacious peasants pronounce organized defy convey rendering rhythms come first patterns perfect example the working out. Also, fail to notice reducing forms to their elemental essences Bruegel achieved a lucidity of lay out and coloring that has seldom antiquated rivaled encumber Western painting.

      At about representation same while Bruegel accomplished one censure his uppermost famous alight beloved activity, the Farm worker Wedding Spread. Conceived compel a vitality of understanding and liking for power folk, that panel reveals the artist's delightfully droll sense unravel humor whereas well makeover his master in establishment universal flat the almost trivial events.

      One of Bruegel's most strange works deference the Spit of Cockaigne (1567). Say publicly composition bash made complex principally be in possession of three reposing figures - a ennoble, a rustic, and a burgher - whose forms radiate exterior from depiction center emancipation the painting and systematize intended disparagement produce a sensation lay into nausea contemporary dislocation set in motion the viewer. In that connection, branch out has along with been discovered that rendering sophisticated utensil of tilting the priest plane subject all picture other elements of description design i