Tulga beyerle biography of donald
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A Century supplementary Austrian Design: 1900-2005
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“Vienna has definitely more to offer than Jugendstil and Wiener Werkstätte,” knows Tulga Beyerle. She is one of THE design experts in Vienna and published a lot of specialist literature on this topic. As the director of the Vienna Design Week she provides a platform for design at different places all over the city – “international but localized”. We met Tulga Beyerle at the current exhibition “WerkStadt Vienna – Design Engaging The City” in the MAK (Museum For Applied Arts) in Vienna (until March 17) … Watch the interview!
Vienna is famous for its cultural tradition – not only in music and fine arts but also in design. Although the city has good reasons to be proud of its outstanding personalities, like architects and designers Adolf Loos and Josef Hoffmann, for later generations, the weight of history can sometimes be very frustrating. Only a mere two decades ago it still was like this, but since the fall of the Iron Curtain things have changed! Today the city has become cosmopolitan, young, and fresh.
Don’t miss: WerkStadt Vienna – Design Engaging The City at MAK until March 17 and the upcoming Vienna Design Week from September 27 to October 6, shortly before the opening of VIENNAFAIR (October 10–13, 2013).
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What are design museums for?
MUDAC
The Museum of Contemporary Design and Applied Arts (MUDAC) first opened in 1967, moving to a second home in 2000. From 2020 it has been based in Plateforme 10, a 25,000m2 arts district that it shares with a fine arts museum and a photography collection.
Architects: Francisco and Manuel Aires Mateus
2023 exhibition programme highlight: ‘Beirut. The Times of Design’
As a counterpoint to the idea of universal, canonised knowledge and analytical reason which governed the rational divide of nature and culture, the ancient Greeks deployed the concept of mētis. It denoted a form of embodied intelligence crafted by contextual responsiveness, a type of intuition cultivated with experience, resourcefulness and technical mastery not devoid of proto-magical trickery and the cunning ability to devise solutional strategies with both method and creativity. Aristotle would have possibly singled out design as a mētis-laden practice on par with navigation and medicine.
Design is a shapeshifting set of modes through which we apprehend, imagine and build our rapport with a world that is everyday a little bigger, deeper, expanded through hybrid realms of existence – the perceptual and relational universe of reality revealing itself populated by myriad