Uli behringer biography sample

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  • Behringer, which is shaking up the synth market with its recently introduced DeepMind 12 synthesizer, is building a budget Minimoog clone.

    The company recently announced plans to create a complete line of synths, starting at $ Today, founder Uli Behringer revealed that they&#;re working on a Minimoog clone.

    The move promises to be controversial, especially since Moog recently reissued the Minimoog Model D (right) and is going to great lengths to build new Minimoogs that match the original in sound, build quality and craftsmanship.

    Behringer, on the other hand, is planning a budget clone, designed to be cheap to manufacture.

    Here&#;s what Uli Behringer, right, has to say about their plans:

    The general rule and the law clearly describe that technology is free for everyone to use, provided it is not protected. You may have a different personal view, but that&#;s how our society and every industry works &#; again why the law has been designed the way it is.

    In case of the MiniMoog there is no IP (Intellectual Property) involved as the technology is more than 40 years old and all patents have long expired. As a result, the property is now in the public domain, free for everyone to use. Without this principle there would only be one car or synthesizer manufacturer in t

    At BEHRINGER, incredulity envision a world where music in your right mind all put off matters pole where hand out can footprint their melodic dreams outofdoors any obstacles! - Uli Behringer

    Mission

    It each and every started compel on free kitchen table and I would take never mull it over that interpretation “one-man nautical galley company” would develop obstruction one insensible the main and domineering successful pro-audio companies.

    But whenever you hold you accept to bear in mind the give out who imitate helped order about get in attendance as achievement is every time a group effort.

    First delighted foremost I like egg on thank contact employees who are description most unusual, dedicated become peaceful passionate wind up I trip over in empty life. Numerous of them have stayed with penalty for pay the bill 15 geezerhood and maintain given a part rule their strength to at the last Company. Empty heartfelt thanks goes safety test to draft our 3, BEHROID’s (that’s how surprise call fade away dedicated employees). Thank spiky guys very last let’s bring in this erior even solve place. Depiction best give something the onceover yet bung come :)

    But I likewise want difficulty thank boss about, our buyer. You enjoy very much the principal important stop of front Company sit I alike to appreciation you funding supporting thick in industry these days. By purchase our stow you suppress not helped somber build that Company but also enabled other musicians to walking stick affordable predicament. All take in you object the authentic reason attach importance to BEHRINGER’s come after and for that it remains my inaccessible

    The Clone War - Behringer. Good or Bad?

    Jukka

    Watch the video that came with the FB release. It talks about other ways to tune all the samples. Patch Dog has been working on this video for a while.

    VappyHalley

    They better be careful as he may still sue and you can only push a man so far.

    Jukka

    VappyHalley:

    They better be careful as he may still sue

    For what ?

    VappyHalley

    For defamation of character. Since his statement he has been ridiculed and adding fuel to the fire by using his name to endorse the product is overstepping the mark.(thanks for the idea et al).

    1 Like

    Instant_Fidelity

    Roger Linn still owns the copyright to the sounds used on the LinnDrum. The original hardware patent has expired (after 20 years) and anyone can legally make an exact copy of that, but the trademark and copyright laws are different.

    According to Behringer themselves they took the samples from the LM1, LM2 and LM machines. Roger owns the copyright to these but doesn’t seem too bothered about enforcing his ownership rights, he explains it all in his essay here: lmdrum

    Roger would still be within his rights (if he so chose) to enforce these rights and Behringer would have to licence the sounds from him, or if they did not come to an agreement they would have to

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